Lot was sold
Lot 146 | Lucy McKenzie | Untitled (for Parkett 76)
Estimate
200
- 400
€
D
F
Result:
(incl. premium)
726 €
MCKENZIE, LUCY
1977 Glasgow
Title: Untitled (for Parkett 76).
Date: 2006.
Technique: Colour silkscreen on Somerset (watermark).
Depiction Size: 57 x 38cm.
Sheet Size: 72,5 x 56cm.
Notation: Signed, dated and numbered (verso).
Publisher: Parkett-Verlag, Zurich (publisher).
Number: 1/60.
Frame: Framed.
Condition:
Verso mounted. Otherwise the print is in very good condition.
With Parkett magazine.
"Well, of the top of my head, there's a connection with certain currents in British Painting - artists such as R. B. Kitaj and Stanley Spencer - and with German painters like Otto Dix or the Austrian, Gustav Klimt. On top of this, I'm interested in processes, in the production of pathos - as in the work of Käthe Kollwitz, for instance. One characteristic of my paintings is certainly the use of trompe-l'oeil effects, flat picture grounds, and a form of literalness. I like insidiousness and things that are supposed to manipulate the viewer. But probably the biggest influence on my painting technique is my dilettantism."
Lucy McKenzie interview with Isabelle Graw, Parkett no. 76, 2006.
Article on the work and artist from Parkett edition no. 76.
1977 Glasgow
Title: Untitled (for Parkett 76).
Date: 2006.
Technique: Colour silkscreen on Somerset (watermark).
Depiction Size: 57 x 38cm.
Sheet Size: 72,5 x 56cm.
Notation: Signed, dated and numbered (verso).
Publisher: Parkett-Verlag, Zurich (publisher).
Number: 1/60.
Frame: Framed.
Condition:
Verso mounted. Otherwise the print is in very good condition.
With Parkett magazine.
"Well, of the top of my head, there's a connection with certain currents in British Painting - artists such as R. B. Kitaj and Stanley Spencer - and with German painters like Otto Dix or the Austrian, Gustav Klimt. On top of this, I'm interested in processes, in the production of pathos - as in the work of Käthe Kollwitz, for instance. One characteristic of my paintings is certainly the use of trompe-l'oeil effects, flat picture grounds, and a form of literalness. I like insidiousness and things that are supposed to manipulate the viewer. But probably the biggest influence on my painting technique is my dilettantism."
Lucy McKenzie interview with Isabelle Graw, Parkett no. 76, 2006.
Article on the work and artist from Parkett edition no. 76.
Contact:
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Conditions of this Lot
VAT margin scheme, VAT included, but must not be indicated, not refundable
32% buyer’s premium on the hammer price
32% buyer’s premium on the hammer price
Droit de suite
plus artist resale right fee of 1.5% on the hammer price up to € 200,000
Estimated shipping costs for this lot:
Germany: 77,31 Euro plus 14,69 Euro VAT
EU: 100,84 Euro plus 19,16 Euro VAT
Worldwide: 159,66 Euro plus 30,34 Euro VAT
additional shipping insurance
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Stock Id: 77046-143